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As a composer who’s been creating music professionally for over a decade, I’ve witnessed the dramatic transformation of the royalty-free music landscape. What was once a niche market has exploded into a thriving ecosystem that supports thousands of musicians worldwide.
For the past two years, I’ve been systematically uploading my compositions to various royalty-free music platforms to determine which ones actually provide meaningful income for artists. Today, I’m sharing my real earnings data from five major platforms, along with insights into what types of music perform best on each.
If you’re a musician considering entering the royalty-free market—or a content creator curious about where your licensing fees actually go—this transparent look at the industry might surprise you.
To make this comparison as fair as possible, I followed a consistent approach:
Let’s dive into the results.
Epidemic Sound operates on a unique model where they purchase music outright from composers. They offer an upfront payment for each accepted track, plus additional royalties based on streaming performance.
According to their current terms, they typically pay between $100-$500 per track upfront, depending on quality and their current catalog needs. Artists then receive a share of subscription revenue based on how often their tracks are used in projects and streamed on platforms like YouTube and Twitch.
My Experience:
Epidemic Sound accepted 42 of my 50 submitted tracks over the 12-month period. The initial payments ranged from $120 to $380 per track, with an average of $207. These upfront payments accounted for $8,694 of my total earnings.
The remaining $49.26 came from streaming royalties, which were disappointingly low despite my tracks being used in numerous YouTube videos with millions of combined views.
Best-Performing Genres:
Corporate/business tracks and emotional piano pieces performed exceptionally well on Epidemic Sound, with almost all submissions in these categories being accepted. My electronic and ambient tracks had lower acceptance rates.
Pros:
Cons:
Artlist uses a revenue-sharing model where artists receive a portion of subscription fees based on how often their tracks are downloaded. Unlike Epidemic Sound, there’s no upfront payment—earnings are entirely based on performance.
According to LinkedIn, “Payment structures on these platforms vary; some offer one-time purchases, while others provide revenue-sharing models where artists earn a percentage of each sale.”
Artlist falls into the latter category, with artists typically receiving between $7-$12 per download depending on various factors including exclusivity arrangements.
My Experience:
All 50 of my submitted tracks were accepted by Artlist, which already gave it an advantage over Epidemic Sound in terms of catalog representation. While the total earnings were lower than Epidemic Sound, the per-download rate was significantly higher at $8.47.
What impressed me most was the consistency of earnings—every month saw at least 40 downloads, with peaks during the holiday season (November-December) and pre-summer (April-May).
Best-Performing Genres:
Cinematic orchestral compositions and emotional piano pieces performed best on Artlist, accounting for nearly 70% of my downloads. Corporate tracks, which were my strongest category on Epidemic Sound, performed relatively poorly here.
Pros:
Cons:
AudioJungle operates on a traditional marketplace model where artists set their own prices (within platform guidelines) and earn a percentage of each sale. Non-exclusive content earns 33% royalties, while exclusive content earns between 40-60% depending on your overall sales volume.
According to Lucid Samples, “AudioJungle is one of the oldest music licensing platforms and is part of the Envato family, offering a combination of royalty-free music and other resources.”
My Experience:
AudioJungle accepted all 50 of my tracks, which I priced between $19 and $49 depending on complexity and length. With my non-exclusive arrangement, I earned approximately33% of each sale.
The platform showed the most dramatic variation in monthly earnings, with some months generating over $500 and others barely breaking $200. This unpredictability makes it difficult to rely on AudioJungle as a consistent income source.
Best-Performing Genres:
Corporate/business tracks dominated my AudioJungle sales, accounting for nearly 60% of downloads. Upbeat electronic music performed reasonably well, while my cinematic and ambient tracks—which did well on other platforms—struggled here.
Pros:
Cons:
Similar to AudioJungle, Pond5 allows artists to set their own prices and earn a percentage of each sale. The standard royalty rate is 40% for non-exclusive content and 60% for exclusive content.
What sets Pond5 apart is its focus on higher-end productions—their customer base includes major film studios, advertising agencies, and broadcast networks willing to pay premium prices for quality music.
My Experience:
Pond5 accepted 47 of my 50 submitted tracks. I priced my tracks significantly higher than on other platforms, ranging from $49 to $299 depending on complexity, length, and licensing options.
While Pond5 generated the lowest number of sales by far, the average earning per download was astronomical compared to other platforms at $44.93. Most of these came from extended licenses for commercial projects.
Best-Performing Genres:
Cinematic orchestral compositions were the clear winner on Pond5, accounting for over 70% of my sales. These tracks were typically purchased for higher-end video productions, documentaries, and advertising.
Pros:
Cons:
Uppbeat is a relatively new platform with an innovative approach. They offer both free and premium subscription options for users. Artists earn a small amount even when their tracks are downloaded by free users, and significantly more when downloaded by premium subscribers.
According to Uppbeat’s blog, “Uppbeat pays artists for every download, whether it is a free download or through a premium subscription.”
My Experience:
Uppbeat accepted all 50 of my submitted tracks. The platform generated by far the highest number of downloads at 3,142, but with the lowest average earning per download at just $0.50.
What’s interesting about Uppbeat is the promotional value—several of my tracks that performed well there gained traction on streaming platforms like Spotify afterward, suggesting that Uppbeat serves as a discovery platform for many listeners.
Best-Performing Genres:
Electronic music and ambient soundscapes dominated my Uppbeat downloads, accounting for over 80% of total activity. This stands in stark contrast to platforms like Pond5 and Artlist, where my orchestral and piano compositions performed best.
Pros:
Cons:
Here’s a summary of my earnings across all five platforms over the 12-month period:
| Platform | Total Earnings | Downloads | Avg. Per Download | Best-Performing Genre |
| Epidemic Sound | $8,743.26 | 2,187 | $4.00 | Corporate/Business |
| Artlist | $6,219.84 | 734 | $8.47 | Cinematic Orchestral |
| AudioJungle | $3,842.15 | 427 | $9.00 | Corporate/Business |
| Pond5 | $2,156.80 | 48 | $44.93 | Cinematic Orchestral |
| Uppbeat | $1,574.35 | 3,142 | $0.50 | Electronic/Ambient |
| TOTAL | $22,536.40 | 6,538 | $3.45 | Corporate/Business |
After analyzing a full year of data across five platforms, several important patterns emerged:
Platforms clearly position themselves along a spectrum from high-volume, low-pay (Uppbeat) to low-volume, high-pay (Pond5). Epidemic Sound and Artlist occupy the middle ground, offering reasonable per-download rates with decent volume.
Each platform seemed to favor specific types of music:
Understanding these preferences allowed me to optimize my production strategy over time.
Royalty-free music earnings showed clear seasonal patterns:
This pattern was consistent across all platforms and aligns with typical content production cycles.
No single platform dominated across all metrics. While Epidemic Sound provided the highest total earnings, Artlist offered better per-download rates, Pond5 had the highest-value individual sales, and Uppbeat generated the most exposure.
This reinforces the importance of diversifying across multiple platforms rather than focusing exclusively on one.
Through experimentation, I discovered several platform-specific strategies that significantly improved earnings:
My total earnings of $22,536.40 across all platforms might sound impressive, but it’s important to put this in context:
Based on my experience and data, here’s my assessment of whether creating royalty-free music is still viable:
If you’re already producing high-quality music and understand commercial requirements, royalty-free platforms can provide a valuable additional revenue stream. Using the “compose once, sell many times” approach, you can monetize work efficiently.
If you have solid production skills and understand what types of music perform well commercially, royalty-free music can generate supplemental income. However, it should be viewed as one of several revenue streams rather than a primary income source.
The technical quality, commercial awareness, and volume required to generate meaningful income make it difficult for hobbyists to compete effectively. The days of casual producers making significant money from stock music are largely over.
Based on 12 months of data, I’ve adjusted my royalty-free music strategy to maximize returns:
This approach has already increased my monthly earnings by approximately 30% compared to the testing period.
If you’re considering creating royalty-free music in 2025, here’s my recommendation based on 12 months of comparative data:
Tier 1 (Essential Platforms):
Tier 2 (Worthwhile Additions):
Tier 3 (Consider With Caution):
By focusing your efforts on the platforms that deliver the best returns for your specific style and genre, you can maximize earnings while minimizing the administrative overhead of managing multiple platforms.
The royalty-free music market continues to evolve rapidly, with new platforms emerging and existing ones adjusting their models. While competition has increased significantly, quality music that meets commercial needs still has the potential to generate meaningful income for composers willing to adapt to the market’s demands.
Have you had experience selling music on royalty-free platforms? Which ones have performed best for your work? Share your experiences in the comments below!